At the recent Los Angeles premiere of Dead to Rights, CGTN America digital producer Edén Soto offered an insider’s perspective on the war drama that delves into the Nanjing Massacre. “This isn’t just any war film telling the story of the Nanjing Massacre,” she noted, highlighting the production’s fresh approach.
The film blends personal testimony with cinematic innovation, using immersive cinematography and digital archives to bridge past and present. Viewers at the packed screening experienced a mix of archival footage, dramatic reenactments, and expert commentary that seeks to honor historical memory while sparking global dialogue.
Soto emphasized the project’s multi-platform launch, which includes virtual reality experiences and live-streamed panel discussions with historians and survivors’ descendants. This strategy aims to engage a younger, tech-savvy audience across continents, inviting them to reflect on human rights and the power of storytelling.
By reimagining one of history’s darkest moments through cutting-edge media, Dead to Rights is not only a film but a cultural moment—one that resonates with global citizens eager to explore the intersections of history, technology, and empathy.
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CGTN America digital producer Edén Soto reacts to film Dead to Rights
cgtn.com
