For over five decades, German sinologist Karl-Heinz Pohl has delved into the intricate tapestry of Chinese civilization, exploring its intellectual history, ethics, and aesthetics. His journey, which began at the University of Hamburg in 1970, offers a profound understanding of China’s enduring cultural legacy.
One of the cornerstones of Chinese civilization is Confucianism. Unlike its diminished presence in Europe post-Enlightenment, Confucianism remains a vibrant tradition in China, emphasizing wisdom, high ethical standards, and the spiritual practice of self-cultivation, known as \"xiuyang.\" This philosophy underscores the importance of interpersonal relationships, portraying humans as relational beings rather than isolated individuals.
In contrast, Western societies, rooted in individualism, often view humans as independent entities with inherent rights. This fundamental difference shapes various aspects of societal structures and personal identities between the East and the West.
Another significant aspect Pohl highlights is the role of aesthetics in Chinese culture. Originally a Western import, aesthetics in China evolved to function similarly to religion, as noted by intellectuals like Cai Yuanpei and Lin Yutang. The Chinese language, with its intricate characters and the art of calligraphy, embodies a unique aesthetic dimension that intertwines with painting and poetry, offering a depth of expression that often eludes Western translations.
Understanding these cultural nuances is essential for fostering cross-cultural dialogue and appreciation. As global citizens navigate an increasingly interconnected world, insights from scholars like Pohl illuminate the rich, multifaceted nature of Chinese civilization, bridging gaps and fostering mutual respect between diverse cultures.
Reference(s):
cgtn.com
