In a cutting-edge blend of ancient art and modern storytelling, Li Wenyu, instructor at Sichuan University’s College of Arts, has embarked on a cinematic journey to reimagine a Qiang legend through the lens of ink-wash animation. His latest work, “A Story About Fire (Ran Bi Wa),” recently selected for the Berlinale, pushes the boundaries of traditional animation in the Chinese mainland.
“I’m always fascinated by the language of animation,” Li says, reflecting on his early passion for the medium. His postgraduate mentorship under Professor Ma Kexuan—an ink-wash master from Shanghai Animation Film Studio—cemented his appreciation for the subtle beauty of classical Chinese brushwork.
By marrying the fluid strokes of ink-wash painting with digital techniques, Li’s film captures the spirit of the Qiang people, an ethnic group known for its vibrant folk tales and ritual ceremonies. Each frame becomes a living scroll, where mountains dissolve into mist and flames flicker with poetic intensity.
Beyond its visual allure, “A Story About Fire” sparks conversations on cultural preservation and innovation. Data from the International Animated Film Association shows that 70% of global viewers seek culturally authentic content—a trend Li embraces by weaving genuine Qiang motifs into his narrative.
For young creators and global citizens alike, Li’s journey underscores the power of cross-cultural exchange. As he prepares for a world tour of film festivals, audiences can expect immersive experiences that bridge centuries-old traditions with future-facing technology.
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Reimagining an ancient legend of the Qiang with ink-wash animation
cgtn.com
