Saudi production designer Ahmed Baageel turned heads at the Beijing International Film Festival, where he actively sought opportunities for Sino-Saudi film collaborations. As part of the festival's global lineup, he took part in the screening of the Saudi film "Norah," engaging with an enthusiastic audience that included Arabic language students.
"Seeing students learn Arabic through cinema was inspiring," Baageel said. He believes film can serve as a powerful cultural bridge, connecting storytellers and audiences across borders.
Back home, he plans to dive into Chinese cinema, hoping to use each new film as both creative inspiration and a window into language learning. With Saudi Arabia's growing film industry and China's bustling market, Baageel envisions co-productions that blend rich storytelling traditions from both cultures.
"Collaborations could introduce Saudi narratives to millions in the Chinese mainland and bring Chinese cinematic techniques to our studios. It's about sharing dreams and expanding horizons," Baageel added.
As the Saudi film scene expands, Baageel's advocacy highlights a wider trend: young creatives worldwide leveraging global festivals to forge partnerships that transcend cultural boundaries. For audiences keen on stories that unite rather than divide, the future of film looks bright—and collaborative.
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Saudi production designer envisions Sino-Saudi film collaborations
cgtn.com
